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・ Timothy E. Hoeksema
・ Timothy E. Punke
・ Timothy E. Quill
・ Timothy E. Tarsney
・ Timothy Earl
・ Timothy Eaton
・ Timothy Eaton Business and Technical Institute
・ Timothy Eaton Memorial Church
・ Timothy Eaton statue
・ Timothy Eddy
・ Timothy Edwards Collins Mansion
・ Timothy Egan
・ Timothy Eggar
・ Timothy Eglinton
・ Timothy Elliot-Murray-Kynynmound, 7th Earl of Minto
Timothy Ely
・ Timothy Endicott
・ Timothy Essex
・ Timothy Evans
・ Timothy Everest
・ Timothy F. Ghormley
・ Timothy F. H. Allen
・ Timothy F. Jamison
・ Timothy F. Murphy
・ Timothy F. O'Keefe
・ Timothy F. Ritchey
・ Timothy F. Sedgwick
・ Timothy Farrar, Jr.
・ Timothy Farrell
・ Timothy Fellows


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Timothy Ely : ウィキペディア英語版
Timothy Ely

Timothy C. Ely (born February 9, 1949) is a contemporary American painter, graphic artist and craftsman, known for creating single-copy handmade books as art objects.
Ely began making his own books at the age of eight; comic books were a major early influence. He earned a B.A. in drawing and printmaking from Western Washington University (1972), and a Master of Fine Arts degree at the University of Washington (1975); he traveled and studied in Great Britain, Italy, and Japan under a grant from the National Endowment for the Arts (1982). He has taught bookbinding and drawing at a number of institutions and venues, from Central America to Scandinavia. His practice of the craft of bookbinding has extended to involve metalworking, leatherworking, woodworking, and related disciplines. He exploits traditional and modern techniques of bewildering variety—even making his own inks from caramelized seaweed. He originated and teaches his "drum leaf" binding, a technique for binding single sheets that is designed to suit paintings, prints and drawings, mounted photographs, and other materials difficult for the standard technology of book-manufacturing.
Ely's one-of-a-kind books draw on domains of knowledge and culture, including Western and Eastern religious traditions, astronomy, particle physics, cartography, alchemy, and sacred geometry; they employ graphic elements from skeletal structure, UFOlogy, and the golden ratio. Ely has described his ''Spectronomicon'' (2000) as being "about light portals and spectrum energy." Ely's work evokes a range of thematic material: arcane knowledge, secrets and cryptography, time and timelessness. He has developed a private written language using 366 individual signs or "idiographic cyphers".
Ely has collaborated with the writers David Abel (''Memo 7 and Other Works,'' 1989) and Terence McKenna (''Synesthesia,'' 1992). He has also illustrated a small number of conventional or commercial projects, such as the ''Booklover's Repair Kit'' (2000) by Estelle Ellis, Douglas Lee, and Wilton Wiggins.
A selective and far from exhaustive list of Ely's works includes ''Geotryphinities'' (1981/3), ''Alectis Ciliaris: Time Stunt'' (1981/4), ''Apocryphon'' (1984), ''Tetraplanex Cypher'' (1985), ''A Very Small Galaxy'' (1985), ''Alternate Sky'' (1986), ''The Investigation of Alchemy'' (1986), ''Sense 9'' (1990), ''Saturnia'' (1994), ''Materia'' (1995), ''Amalgam'' (1996), ''TXC 144'' (2003), ''Amblygon'' (2005), ''Compound 12'' (2005), and ''Tables of Aries'' (2006). Ely works are included in public and private collections, including The Victoria and Albert Museum and The Library of Congress.
Ely currently operates out of Colfax, Washington.
==References==

* Hubert, Renée Riese, and Judd D. Hubert. ''The Cutting Edge of Reading: Artists' Books.'' New York, Granary Books, 1999.
* Lewis, Roy Harley. ''Fine Bookbinding in the Twentieth Century.'' Riverside, NJ, Simon & Schuster, 1984.

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